Alaska Film Archives
- Footage includes skiers, rope tow, and Roger Evans throwing snowballs at the camera. Notes on the original film can say "May 67, Skiland view from head of tow, closeup of group including Bob Parrish, tow shack operator hans Fischer about to make a run, Frank Marion making run down bowl, group at bottom of bowl, Keith Harris skiing with case of beer, GP on hill throwing snowballs"
- This film was recorded shortly after the opening of the Alaska 67 Exposition Park, A-67, and prior to the August 1967 flood. Footage includes perspectives from the Ferris Wheel, an upside down perspective from the Ferris Wheel, a hammer ride, a nurse fashion parade, views of the park and people in costumes, and a hot air balloon launch.
- Footage includes a parade in Fairbanks for the opening day of Alaska 67 Exposition A-67, an opening day ceremony with a boy scout color guard and military band, Captain Jim Binkley at a podium with dignitaries (including Governor Wally Hickel and Burl Ives), a ride around the park on an A-67 train, scenes from around the park, a woman on stilts, and a hot-air balloon being launched
- Footage includes views of First Avenue in Fairbanks, Immaculate Conception Church and St. Joseph Hospital, the Fairbanks Daily News-Miner building, a parade on Cushman Street, a baseball team (the Goldpanners) at the Fairbanks Chamber of Commerce building on First Avenue, people along the banks of the Chena River watching the start of the Yukon 800 Marathon boat race, Goldpanners baseball practice, and construction at Growden Park.
- This is a series of highly dramatized reenactments from the life of Father Bernard Hubbard, a scientist and missionary. Occasionally, the reenactments don't jibe with the story. Scenes dramatized include: climbing the Taku Glacier, traveling by dogsled to the village of Holy Cross to combat an influenza epidemic (the musher is shown wearing short, Sami-style boots and three nuns are shown in their fur-hooded cloaks), Father Hubbard's run to an unnamed village when he was sick with the flu himself, Father Hubbard's ascent of Aniakchak Volcano (men dig through a layer of ash to find clean snow), exploring the Valley of Ten Thousand Smokes (men cross rocky terrain with a wheeled dog sled, men in a forest of dead trees, men and a dog wear gas masks as they approach the volcano), his work among the King Island Eskimos (many shots of King Islanders including a Wolf? dance), and his promotion of Alaska as a place to settle in (children play on an old-fashioned merry-go-round, a man digs up large potatoes, and agriculture scenes which may have been shot in Matanuska Valley).
- AAF-10409 is made up of several smaller reels of film. Handwritten notes on original film boxes are as follows: “Turnagain arm, Homer Spit, first of Golden Days parade 1989, Bell’s.” “Bell’s, Golden Days Parade 2 1989.” “Bell’s, 1989, Golden Days 3.” “Bell’s, 1989, Smalley Creek Mine.” “Bell’s, 1989, Valdez, Matanuska Glacier.” “Bell’s, 1989, Valdez.” This film contains footage of scenic travels, a large halibut, glacier views, a 1989 Fairbanks parade, Golden Days celebration scenes and parade, a man with a small sluicebox, gold flecks in a pan, calving glaciers, icebergs and seals, an eagle's nest, a waterfall, a dredge, a tour boat, sea otters, glaciers, and icebergs.
- AAF-10410 is made up of several smaller reels of film. Handwritten notes on original film boxes are as follows: “Building of our log home.” “Building our house, log work, flying over Fairbanks, flying towards Mt. Mckinley.” “Dollie hauling toboggan downhill to our house.” “Old sternwheels, Dawson City, looking over Klondike.” “Porcupine River August 1978.” “Chitina Jon salmon dipping fireweed, 74 parade.” This film contains footage of land being cleared and a log home being built overlooking Fairbanks, aerial views of an airplane crash, aerial views of Fairbanks, a family dog pulling a toboggan, the Dawson City sternwheeler boneyard, river travel and fishing, and a family posing near a glacier.
- AAF-16392 is a super-8mm film labeled “Bird Island – Clean up at Plt Creek.” The film begins with daytime scenes of small motor boats traveling over open water. A whale surfaces a few times in front of the boats followed by scenes of a rookery. The sun sets behind a rock outcropping as birds fly by. A bulldozer moves mud and snow from a roadway or ditch. A man fishes for salmon from a motor boat, then two men show off their catch. This is followed by scenes of draglines and a large sluicebox and men working and cleaning the sluicebox with shovels.
- AAF-16393 is a super-8mm film containing scenes of a bucket dredge in a frozen pond, a dragline moving water and mud from the pond, snow surrounding homes, snow piled almost to the top of the roofs, a bucket dredge working in an icy pond with mountains in the distance, a town as seen from a hill above, and more scenes of mining equipment in operation. A man works a dragline while a dog sits nearby. A group of adults gather around people who are processing salmon, and a man holds up a large salmon. The film ends with a shot of the Platinum Post Office and structures along a river or inlet with mountains in the distance.
- This footage shows Lieutenant Governor Boucher and Governor Egan are sworn in followed by a portion of the Governor's inaugural address. Additional footage includes Governor Egan speaking before the Alaska Chamber of Commerce about the value of Prudhoe Bay oil, Governor Egan speaking about collective bargaining by public employees, Governor Egan swearing in Chief Justice of the Alaska Supreme Court Rabinowitz, Governor Egan speaking about suing the Federal Government over land withdrawals, and Governor Egan speaking before the Alaska Visitors Association about bringing Alaska Natives into the visitors industry.
- The filmmaker's original labeling scheme has AAF-20045 numbered as Bacon 10-05 and titled “Haines, Fishing, People, Bears, Fish, Mining.” Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about the group of films that includes this film is based on Bovee's notes from that interview: “Carl Heinmiller repairs mask - He started the saving of the Tlingit culture - Carl was a WWII veteran - He came back and bought the houses for Chilkat at Haines - He bought two or three of the quarters that the army used and had them repaired - State ferry coming into Haines, pass by North Star landing at Skagway, the old pilings at the waterfront at Skagway; that is where the ships used to come in - It is all worn out now - This is where they used to have the dock.” Notes on the film box that pertain to this film are as follows: “Reel 5: Haines, fishing – people, bears, fish, mining scenes, scenery, leaving Haines for Skagway, Klukwan.”
- The filmmaker's original labeling scheme has AAF-20044 numbered as Bacon 10-04 and titled “Haines Rubber Raft.” Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about the group of films that includes this film is based on Bovee's notes from that interview: “Carl Heinmiller repairs mask - He started the saving of the Tlingit culture - Carl was a WWII veteran - He came back and bought the houses for Chilkat at Haines - He bought two or three of the quarters that the army used and had them repaired - State ferry coming into Haines, pass by North Star landing at Skagway, the old pilings at the waterfront at Skagway; that is where the ships used to come in - It is all worn out now - This is where they used to have the dock.” Notes on the film box that pertain to this film are as follows: “Reel 4: 1986 Rubber rafts in Haines.”
- The filmmaker's original labeling scheme has AAF-20,055 numbered as Bacon 12-2 and titled "Haines, Sue Silver Carver: 50 feet." Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about these films is based on Bovee's notes from that interview: "Box 12 - 9 Reels, 1 black & white picture - Picture in box of Carl Heinmiller dancing. Picture doing the bear dance... Different upright poles; they had moved the old Whale House. They had four posts and one was a Strong Man Totem that describes a man pulling a killer whale apart and his father fell out of the whale. A Girl and Worm Totem pole; she was put into the totem pole to save until she became eligible for the chief to marry. She wanted to get out so a worm came along and ate all around the wood so she could escape. Potlatch trough was a huge log approximately 30 feet long. They dug all the wood out, carved it with head on the front, legs on the back and that is where they put all the food for a potlatch..."
- The filmmaker's original labeling scheme has AAF-20,055 numbered as Bacon 12-2, and titled "Haines, Sue Silver Carver: 50 feet." Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about these films is based on Bovee's notes from that interview: "...Silver carver and more inside the Whale House..."
- The filmmaker's original labeling scheme has AAF-20,057 numbered as Bacon 12-4 and titled "Inside Whale House: Rev EF Orig-100 feet." Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about these films is based on Bovee's notes from that interview: "...Different upright poles; they had moved the old Whale House. They had four posts and one was a Strong Man Totem that describes a man pulling a killer whale apart and his father fell out of the whale. A Girl and Worm Totem pole; she was put into the totem pole to save until she became eligible for the chief to marry. She wanted to get out so a worm came along and ate all around the wood so she could escape. Potlatch trough was a huge log approximately 30 feet long. They dug all the wood out, carved it with head on the front, legs on the back and that is where they put all the food for a potlatch..."
- The filmmaker's original labeling scheme has AAF-20058 numbered as Bacon 12-6 and titled "Haines, Chilkat Indian Dancers: ECN [Eastman Color Negative]-300 feet." Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about these films is based on Bovee's notes from that interview: "Box 12 - 9 Reels, 1 black & white picture - Picture in box of Carl Heinmiller dancing. Picture doing the bear dance. Whale House clan at Klukwan inside Whale House..."