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Alaska Film Archives

About the Collection

Over the past half century, the University of Alaska Fairbanks has built the largest collection of archival films in and about Alaska. The collection combines hundreds of donations of film and videos to UAF by individuals, organizations and institutions. Materials range from professional productions to amateur home-movies, made in and about Alaska from the earliest days of filmmaking through today. Since 1993 these materials have been held by the Alaska Film Archives, a unit of Alaska and Polar Regions Collections & Archives in the Elmer E. Rasmuson Library. Films and videos selected for this portal project are a sampling of the thousands available for checkout on DVD through the Rasmuson Library. Unless otherwise noted, items are presented here in their entirety, unedited and uncut. Short, popular clips from the collection can be viewed on our YouTube channel. Read more about the Alaska Film Archives.

1 to 5 of 5 Objects
[Alaska travel]
[Alaska travel]
This film contains scenes of mountains, the AJ Mine in Juneau, the state capitol building in Juneau, boat travel along the Inside Passage, a large steamship with three smokestacks or funnels, aerial views of glaciers and mountains, the Mendenhall Glacier, signs for White Pass and the Trail of ’98, Miles Canyon on the Yukon River near Whitehorse in Canada, Robert Service Camp, a brief glimpse of the sternwheeler S.S. Tutshi, men waving in front of a Lockheed Electric airplane (NC14906), aerial views of landscapes, aerial views of Fairbanks and landing at Weeks Field, the Old Main building at the University of Alaska campus in Fairbanks, a car driving on railroad tracks, a sign for the golden spike along the Alaska Railroad near Nenana, Alaska Railroad Engine No. 1 on display, a White Pass and Yukon Route train, the entrance to Mt. McKinley National Park, a red tour bus in the park, black and white scenes of Alaska wildlife, a large placer mining operation with a dredge, a log cabin, men at work using hydraulic giants and steam points, a gold mining operation near the ocean, totem poles at Stanley Park in Vancouver in Canada, Alaska Native people and homes in Nome, fishermen unloading halibut from a boat (possibly at Prince Rupert in Canada according to Stevens's notes - he adds that the halibut heads were cut off and used for fertilizer), adults and children playing shuffleboard on a ship deck, a man playing accordion aboard the ship, and aerial views of landscapes including rivers and mountains.
[Gold mining, Alaska travel and activities 1]
[Gold mining, Alaska travel and activities 1]
Footage features a bulldozer caught in ice on the Chena River in downtown Fairbanks, a large Service Motor Company fire in downtown Fairbanks, mining activities, a man holding a large gold nugget, a bulldozer and dragline in operation at a large placer mine operation, men walking toward camp, a sluice, tailings piles, a bulldozer stuck in the Chena River after breaking through ice, people in parkas ice skating, a man photographing people on skates as well as a man ice fishing with a net, people weighing fish with a scale, Chena River and Cushman Street bridge, the railroad depot in Fairbanks, chained black bear cubs being fed, river views, people in a small boat and a man with a duck, a cow and pig, St. Nicholas Russian Orthodox church and graves in Eklutna, women feeding a baby moose with a milk bottle, a man in a small boat, a tent and campsite, a family at a camp or picnic, men and women posing by a Birch Lake sign, a woman outside of a log post office, placer mining operations, aerial views of a mine area, a man operating a dragline, and people posing near an airplane. Handwritten notes on the film boxes are as follows: “Service Motor.” “Tractor and Gold Mine.” “Alaska, trip to Palmer, grave house, baby moose, skating, Birch L. “Bert P[?].” “Trip to Ophir, [?] Barrow trip.”
[Gold mining, Alaska travel and activities 2]
[Gold mining, Alaska travel and activities 2]
Footage features people aboard a boat outside of Alaska, dog mushing, a tractor pulling a load of timber or logs with the Cushman Street Bridge visible in the distance, small girls at a birthday party, a girl with a dog, a bridge and road, people posing for the camera, a Farmall tractor pulling a boat out of the river at Cushman Street Bridge, hay piles, mountain scenes, Savage Rock at Denali or McKinley National Park, a large coal chute near Healy, a truck loaded with coal, mining operations, men and women in a boat, a waterfall, mountains and a sunset, aerial views of a river and mountains, airplanes and a camp on a rocky beach in northern Alaska, men posing by an airplane, aerial views of wildfires and mountains, men with cameras posing along with children in a northern Alaska coastal village (Barrow?), children in parkas posing, village homes, a woman chopping wood, a caribou, children in parkas with a small dogsled in Fairbanks, a brief glimpse of Leonhard Seppala with a dog team in Fairbanks with the Samson Hardware Building in the background, winter carnival scenes in Fairbanks, women in parkas posing near a Pacific Alaska Airlines airplane, a brief aerial view of the University of Alaska Fairbanks campus, people disembarking from a DC-3 airplane, women and a man posing, people re-boarding the airplane, winter carnival lights, people shoveling deep snow at a cabin, men and women posing with a dog team, a man placing dogs in harnesses (black & white section of film with the first man identified as Jeff Studdert by local historian George Lounsbury in 2014), dogs running under the Noyes Slough swinging bridge and out onto the Chena River in Fairbanks, and another man driving a dog sled as a woman rides in the sled. Handwritten notes on film boxes are as follows, though the order does not seem to correspond with the order of scenes above: “Boat trip, Bowler[?].” “Dog team and tractor.” “Trip to Delta – loop.” “Fire scenes at Mc Park, coal mine at Healy.” “Lake Chelan boat trip sunset.” “Trip to Barrow, caribou, carnival and dog sled ride.”
[Harry Leonard’s Wiseman films]
[Harry Leonard’s Wiseman films]
These films were made by prospector and miner Harry Leonard primarily during the 1930s and 1940s at Fairbanks, Alaska, and at or near Wiseman, Alaska, a small mining community along the Middle Fork of the Koyukuk River in the Brooks Range about 270 miles north of Fairbanks. In 2019, the original films were preserved through funding from the National Film Preservation Foundation (NFPF); Reflex Technologies of Burbank, California, scanned the reels of original 8mm film and created digital DPX files, which were then output to new 16mm internegative and answer print film stocks by Video & Film Solutions of Rockville, Maryland. The original films, new internegative and answer print films, and digital files are all being preserved by the Alaska Film Archives at University of Alaska Fairbanks. Many of the following identifications are from film donor George Lounsbury. AAF-1865 scenes include a fire in a Fairbanks building, Harry Leonard’s wife Savannah Leonard standing near car, Harry Leonard approaching the camera, cabins and sled dogs, Savannah Leonard with a broom and with snowshoes at the Leonard home on Dunkel Street in Fairbanks, and Harry Leonard waving. A pilot starts a Stearman bi-plane airplane on skis, followed by aerial views of Wiseman and mountains. Images back at Fairbanks include fire at the Hotel Alaska. Koyukuk region images include a small dam, large pump and pipe, and Harry Leonard with hydraulic giant moving material at Archibald Gulch on Nolan Creek. AAF-1866 scenes include a dog team on the Chena River at Fairbanks, Soviet aviator Mavriky Slepnyov walking to camera with unidentified men, with Savannah Leonard, and with Harry Avakoff (in dark suit). Harry and Savannah Leonard and other men pose with airplanes at Weeks Field in Fairbanks, and then an airplane on skis takes off. In the Koyukuk region of Alaska, men at the Wiseman Roadhouse include (left to right) unidentified, Phil Sundquist, Ace Wilcox, Poss Postlethwaite, Albert Ness, Martin Slisco and unidentified. On the final pan of the men, Harry Leonard is the last man on the right. Next are images of Wild Lake, Phil Sundquist with rifle, and the Hope Family at camp, including Ludi Hope and her adopted son Henry, who was the son of Japanese whaler and miner James Minano. Following scenes of a lake are men including Ace Wilcox and Vern Watts at sluice box, Biner Wind’s mining camp, Biner Wind on the runners of a dog sled, Harry Leonard with dog in front of tent, Phil Sundquist sharpening a saw, spring breakup on the Koyukuk River, miners shoveling ore into sluice boxes at Biner Wind's mining operation on the Hammond River, Ike English by sluice box, and people gathered around an airplane at Wiseman. Next are scenes of Roshier H. Creecy panning a sample in a washtub over a campfire and standing by a cabin during the winter at Gold Creek. Roshier Creecy, born just after the Civil War ended, was one of the few known African Americans who made their living by prospecting and mining in Alaska in the early 1900s. Following this are scenes of Roshier Creecy pulling a sled over ice and then dogs pulling a sled on snow, Harry Leonard waving to camera, Roshier Creecy waving to camera, Wiseman as viewed from the hillside, a dog yard, a log church (possibly at Allakaket?), and aerial views during a winter flight in a biplane. Images at Fairbanks include the Chena River breaking up downtown, and airplanes at Weeks Field. After scenes of people posing for the camera, are images from the Wiseman area including Tishu Ulen and Joe Ulen and their family, self-tripping dam on Gold Creek, a snared black bear, moose, and Harry Leonard prospecting with pack dog. Next is a scene of people posing by an airplane on floats flown by Wiley Post with Will Rogers while it is parked on the Chena River at Fairbanks. This is followed by scenes of a grouse, mountains near Wiseman, hunters with caribou antlers and meat, and Harry Leonard with a sled hauling firewood in winter. AAF-1867 images from the Wiseman area include high water running over Harry Leonard's Gold Creek dam, mining camp with small sluice boxes and prospect boiler, man shoveling ore into sluice boxes, and Harry Leonard at hunting camp with three moose heads. Images at Fairbanks include people at Weeks Field getting into single engine Wien Alaska Airlines airplane piloted by Herman Lerdahl, Richard Wien as a boy running toward the camera, and a Mirow airplane on skis. Images outside of Alaska include a United Airlines Mainliner and travel to cities at several locations. Scenes of travel across the United States from Key West, Florida, to New York City and El Paso, Texas, were possibly filmed by a friend of Leonard’s borrowing his camera.
[Lounsbury film collection 3]
[Lounsbury film collection 3]
Some portions are left-to-right reversed. This footage includes travel outside of Alaska including a Rose Bowl parade. Alaska footage features Alaska Railroad travel, tent camp in Mt. McKinley National Park and activity at camp, sled dog races on Chena River in Fairbanks, sled dog demonstrations, Fairchild 71 airplane on skis and pilot Ed Young, Russian Junkers arriving in Fairbanks in March of 1931 carrying body of Ben Eielson, funeral procession in Fairbanks carrying body of Ben Eielson to the railroad depot, road travel, chained bear, bison and sheep at the University of Alaska, hydraulic giant, bi-plane at Fairbanks with pilot A.A. Bennett (?), aerial view of Fairbanks, Alaska Railroad train travel, sternwheeler at Nenana, U.S. Army Pilot Captain Hoyt at Fairbanks and hand-propping airplane, riverboat travel, houses and yards in Fairbanks, and summer parade at Fairbanks, and Mayor Rothenburg of Fairbanks handing flowers to George Lounsbury's mother Fay Jennings. Additional footage (from Johnny Repo) includes canoe, small mining operation and cabin, moving mining equipment by barges marked as Florence and Alyum Mining Co,. moving dragline, group of men outside the roadhouse at Wiseman with man getting haircut, people crossing mouth of Wiseman Creek in boats during break-up on the Koyukuk River, rowing and paddling on river, cutting wood, Wien Alaska Pilgrim airplane at landing strip, Wien airplane on landing strip with pilot Tony Schultz, cabins at creek, assembling dredge, flying boat Sikorsky S-42 (?), Glass Flying Service at Valdez, Ford Tri-Motor takes off from Valdez, winter storm at Valdez, airplanes at Valdez from different companies including Lyle, Mirow and Reeve, Pilgrim airplane on skis taking off, aerial views of mountains and gold camp, J-2 (?) Piper airplane taking off, Jim Dodson aircraft, break-up on unidentified river, Wiseman (?), man sawing firewood, men building cabin, men whipsaw lumber, mining operation with dragline and hydraulic giants, large dead bull moose being hauled off, Caterpillar pulling small building, aircraft, and aerial view of Fairbanks and mining operation. AAF-9547 begins with footage shot by donor George Lounsbury's grandfather, Guy Jennings, on a trip out of Alaska to buy a new Buick automobile. Following the scenes of the log buildings and wall tents at the entrance of McKinley Park is Jennie R. Jennings, Guy’s wife, wearing a fur coat and standing closest to the camera at the far edge of a group of four women. Following the scene of the vehicle driving on the park road, is a close-up shot of Alice Nordale and Austin E. “Cap” Lathrop, who wore a bill cap. Following scenes of men washing dishes at McKinley Park, is a close-up shot of Fay Jennings, daughter of Guy and Jennie, with dark hair, (and Alice Nordale?), standing in front of a vehicle. Following scenes of a parade in Fairbanks and Mayor Rothenburg handing flowers to Fay Jennings, who is wearing an aviation hat, there are scenes of a canoe and mining operations, and beginning with the canoe is footage shot by Johnny Repo (sp?). Scenes of airplanes at Valdez came from film obtained by the Lounsbury family through Bob Reeves. The final part of the reel, beginning with aerial views and then a color shot of the Ophir area, are films from Johnny Repo (sp?).