Alaska Film Archives
- The filmmaker's original labeling scheme has AAF-20063 numbered as Bacon 13-02 and titled “Wrangell, Petroglyphs, Lumber Mill, Chief Shakes House.” Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about the group of films that includes this film is based on Bovee's notes from that interview: “Bight Saxman Museum and Nathan Jackson family - He is one of the greatest Tlingit artists - He is a carver - Film of him carving on a totem.” Notes on the film box are as follows: “Ketchikan, totem poles, Saxman, Nathan Jackson family - Wrangell, petroglyphs, Chief Shake’s house, town shots” and “Reel 2: Original, ECN, Wrangell, overall shots of town, petroglyphs, Cha Johnson, street scene in rain, lumber mill, and Chief Shake’s house.”
- Footage includes a merry-go-round and a wolf dance at the Fur Rendezvous, the World Championship sled dog races in Anchorage, the Open North American sled dog races in Fairbanks, Roland "Doc" Lombard with a trophy, giant cabbages, Chilkat dancers in Haines, High Ridge, downtown Fairbanks, the University of Alaska campus in Fairbanks, Dr. Vic Hessler, an ice bridge across University Avenue in Fairbanks, a man tying reindeer to a truck bumper, a fur auction, dog races and an Eskimo Wolf Dance at the Fur Rendezvous, a radar site, soldiers eating a meal in a field during winter, military base housing, berries, harvesting grain, dogs, an Anchorage sign, a small well-drilling truck in High Ridge, Ernest Gruening, a health clinic, a mechanic working on a truck, a ski plane being moved and taking off from High Ridge lake during winter, Sara Machetanz paintings, Traeger Machetanz, a statehood headline, fly fishing, an Air France plane, glaciers in the Southeast, and men taking a canoe upriver to fish for grayling.
- Film contains scenes of a classroom full of artists sketching and painting as a male model sits in a chair at the front of the classroom. Fred Machetanz sketches and paints, and he instructs other artists at their easels or as they look over his shoulder. Fred Machetanz looks at and talks about a display of sketches, swatches and paintings with labels such as “1935 Alaska Unalakleet” and “Materials, Pigments, Glazing,” etc.