Alaska Film Archives

Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 3
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 3
Eliza Jones from Huslia, Mary Polasky from Nulato, Madeline Solomon of Galena, and Curt Madison of Manley Hot Springs discuss the Koyukon Athabascan language. See also AAF-10225, which contains unedited video footage of this segment. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 5
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 5
Ron Scollon and Eliza Jones of the Alaska Native Language Center discuss differences between the communication styles of Native Alaskans and non-Natives. Chad Thompson and Mary Polasky also appear in this production. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 7
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 7
Edna Ageak MacLean of the Alaska Native Language Center and Martha Aiken of Barrow discuss the Inupiaq language as it is spoken in Alaska's North Slope region. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 9
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 9
This program takes place in Arctic Village. Katherine Joseph Peter speaks about her life in Arctic Village and about the Gwich'in or Kutchin Athabascan language. Chief Walter John of Venetie is interviewed about the history of the area and the importance of his Native language. Historic photos are shown. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 1
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 1
Dr. Michael Krauss of the Alaska Native Language Center begins a presentation about the history and status of Alaska's languages. He frequently refers to a map that depicts the regions where different Native languages are spoken. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 4
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 4
University of Alaska Fairbanks graduate student Charles Natkong Sr. of Hydaburg, Linguist Jeff Leer of the Alaska Native Language Center, 90-year-old Selina Peratrovich of Ketchikan, and Haida language consultant Nat Edenso of Craig discuss the Haida language. See also AAF-10224, which contains unedited video footage of this segment. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 6
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 6
Linguist Dr. James Kari of the Alaska Native Language Center presents an overview of the Dena'ina language and shows several historical photos of the people and villages of the Cook Inlet region. Dr. Kari interviews Native speakers Shem Pete and Billy Pete of Willow. Shem Pete performs the Chikalusion Mourning Song and a Love Song. See also AAF-10224, which contains unedited video footage of this segment. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 8
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 8
Inupiaq Eskimo from the Kobuk River Area to the Seward Peninsula. Linguist Dr. Lawrence Kaplan of the Alaska Native Language Center, Ruthie Sampson, and Irene Katchatag of Unalakleet discuss the Inupiaq language as it is spoken in various areas of Alaska. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 10
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 10
Dr. Michael Krauss and Jane McGary of the Alaska Native Language Center discuss the history of the Alaska Native Language Center's library and archives. Dr. Krauss also gives a tour of their manuscript holdings. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 2
Talking Alaska: The Priceless Heritage of Alaska's Native Languages - part 2
Dr. Michael Krauss of the Alaska Native Language Center continues his presentation about the history and status of Alaska's Native languages. Produced for the Alaska Native Language Center; Irene Reed, 1979, at Media Services, U of A, Anchorage.
 [Adolph Murie collection - select films]
[Adolph Murie collection - select films]
These are films made by naturalist, author, and wildlife biologist Adolph Murie at Alaska's Mount McKinley (Denali) National Park. The scenes include Adolph's wife Louise, his son Jan, and his daughter Gail. They also include wildlife including bears, wolves, fox, dall sheep, caribou, and a variety of birds and waterfowl. According to notes accompanying the films, one scene shows a grizzly bear near a cabin in Toklat within the park. The following details are transcribed from original labels on film containers or from associated handwritten notes; items in brackets are the processor's notes. Weezer and Weazy are nicknames for Louise. Film 1368-106: “[On can]: 160; [On reel]: 1941 begin Gail and Wags at hdqts. McKinley Park; [On white card in can]: Gail and Wags at Igloo in winter, Weezer with Wags winter, playing with stick, Gail at Rising[?], glacier at Igloo in spring, Wags alone at Igloo, Fox pups (and black one) male female good, wolves wild fair, old squaw, wheatear, horned grebe, (film intact) 1940-41; [On pink note in can]: this reel has some wolf shots, mostly fox, sheep, caribou, cut pieces; [On yellow note in can]: Film 9 wolf, birds, fox, Dall sheep, Bears, caribou, brief footage showing 2 children 1 man, Mt. McKinley." Film 1367-17: “[On box]: #8 set #2, McKinley Park May 1949, Snowbirds at hdqts (good), Rabbit (good), Drawn, Splice; [On card in box]: wolf eating caribou on river bar, Wolf drinking, distant shot of wolf feeding on caribou, wolf walking away, grizzly at Toklat by cabin, grizzly in fall snow with grass (good), porcupine feeding in willow, porcupine in willow (good), silver fox, Gail (short shot), gulls in tree (out of focus), ptarmigan flocks flying (good), ptarmigan on ground white-good.” Film 1367-6: “[On box]: #59; finished July 3 '49, Gail and Jan Big Rock [or River?]; cock fowl hen fair, much blank, bear-sheep shaky, squirrel middens, wolf tracks around bridge, wolverine hairs, Checked; [On card in box]: Gail and Jan snowshoe and ski, Pile of sq middins, squirrel cuttings, wolverine tracks, wolf tracks around bridge (overexposed), wolf track (with trap), shaky scenes of sheep, grizzly following wounded sheep, blank film, rock ptarm (out of focus).” Film 1367-67: “[On box]: #15 set #2, bear and fox 66, jaeger poor, ptarmigan and Gail, Gail feeding Wags milk; [On white card in box]: 1940, Willow ptarmigan male in spring (bare ground), closeup of male Ptarm on log-Gail behind, Gail chasing ptarmigan, caribou herd running, Gail with young wolf pup, feeding wolf pup, Wolf pup nuzzling in grass, Gail swinging, Me and Gail and Jan at East Fork.” Film 1367-35: “[On box]: #1, Moose yearling, wolf on Polychrome Rd; [On card in box]: sheep (ewe and lamb) short, wolf on road, wolf defecating on road, wolf going over mt, calf moose (good), cow and calf moose, cow with two calves, moose feeding (out of focus), 2 calves and cow feeding (good shots).” Film 1367-61: “[On box]: #18, Weezy feeding wolf pup, caribou [illegible], silver fox, ptarmigan; [On card in box]: blue film, caribou running, caribou crossing stream, silver fox on snow, silver fox running, silver fox closeups, feeding wolf pup (Weazy), Rock Ptarmigan sitting (out of focus), more ptarmigan on snow, wolf pup.”
Fairbanks Yesterday Today Tomorrow
Fairbanks Yesterday Today Tomorrow
This program presents the history of Fairbanks from its geological formation through 1974. Credits are as follows: host, Dave Geesin; pre-history, Florence Weber; miner, Tim Ames; mining discussion, Dr. Earl Beistline and Bruce Thomas; readings, Mark Bergeson, Pamela Buckway and Tom Duncan; narration, Charles Creamer, Tom Duncan, Don Hering, Clara Rust and Marion Wood; director, Frank Herriott; Hering segment director, Myron Tisdel; producer, Patrick Moore; production assistant, Frank Henry; research, Kit Jensen; cinematography, Mark Badger; graphics, Nancy Van Veenen; audio, Tom Saxton; video, Dave Walstad and John Reisinger; production, Carolyn Dowling, Pat Fitzgerald, John Ryan, Jim Schneider and Pat Thrasher; photos provided by Mrs. V.K. Brickley, CamerAlaska, Fabian Carey, William Cashen, Florence Collins, Roger Cotting, Mary Hansen, Nelson’s Studio, University of Alaska, and United States Air Force; furnishings provided by Nerlands; parka provided by Martin Victor Furs; produced through the facilities of KUAC-TV and the Division of Media Services at University of Alaska.
Part 9: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 9: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part nine (AAF-18184) includes introductions by Master of Ceremonies Sharon McConnell, and comments by John Borbridge, Jr. and Mike Williams. This is followed by continued discussion on the impact on Alaska Native culture, education and leadership as a result of ANCSA, with panelists Dr. John Weise and Maj. Wayne Don. Following closing comments by Sharon McConnell are images showing photos and biographies of the two final panelists.
Part 8: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 8: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part eight (AAF-18183) includes introductions by Master of Ceremonies Sharon McConnell followed by reflections and analysis of the impact on Alaska Native culture, education and leadership as a result of ANCSA, with panelists Dr. April Laktonen Counceller , Dr. Sven Haakanson, Jr., Agatha John-Shields, and Dr. Rosita Worl. Following the discussion are images showing photos and biographies of April Laktonen Counceller, Sven Haakanson, Jr., Panigkaq Agatha John-Shields, and Rosita Worl.
Part 6: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 6: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part six (AAF-18181) includes a welcome and introductions by Master of Ceremonies Sharon McConnell followed by reflection and analysis on the social change, governance and land ownership in Alaska as a result of ANCSA, with panelists Bernice Joseph, Mike Williams and Lisa Jaeger. Following the discussion are images showing photos and biographies of the panelists, as well as photos of Alaska Native leaders and historical events.
Part 5: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 5: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part five (AAF-18180) includes introductions by Master of Ceremonies Sharon McConnell followed by a panel discussion on women and ANCSA, with panelists Alice Petrivelli and Betty Huntington. Following the discussion are images showing photos and biographies of the panelists, as well as photos of other influential Alaska Native women.
Part 4: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 4: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part four (AAF-18179) includes introductions by Master of Ceremonies Sharon McConnell followed by an analysis on the impact of ANCSA on Alaska’s environment, with panelists John Shively, Tiel Smith and Jimmy Stotts. Following the discussion are images showing photos and biographies of John Shively, L. Tiel Smith, and James (Jimmy) Stotts.
Part 3: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 3: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part three (AAF-18178) includes a welcome by Master of Ceremonies Sharon McConnell followed by Gordon L. Pullar introducing the lunchtime speaker, U.S. Senator Fred Harris. Following Harris' talk are images showing photos and biographies of Gordon L. Pullar, Fred Harris, and photos of many other groups and individuals associated with passage of ANCSA.
Part 2: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 2: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part two (AAF-18177) includes introductions by Master of Ceremonies Sharon McConnell followed by continued discussion on the economic impact of ANCSA, with panelists Tim Wallis, Jim Dodson, Wanetta Ayers and Shauna Hegna. Following the discussion are images showing photos and biographies of the panelists, as well as photos of many other groups and individuals associated with passage of ANCSA.
Part 1: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 1: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part one (AAF-18176) includes a welcome by Master of Ceremonies Sharon McConnell, followed by opening remarks from Governor of Alaska Sean Parnell, via video; University of Alaska Fairbanks Chancellor Brian Rogers; and Vice Chancellor for Rural, Community and Native Education Bernice Joseph. This is followed by a panel discussion covering reflection and introduction on the economic impact of ANCSA, with panelists Dr. Willie Hensley, John Borbridge, Jr., Dr. Emil Notti, and Alaska State Sen. John Sackett. Following the discussion are images showing photos and biographies of Sharon McConnell, Brian Rogers, Bernice Joseph, Miranda Wright, John Borbridge, Jr., John Sackett, Emil Notti, and William (Willie) Iggiagruk Hensley.
Part 7: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
Part 7: Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011
The University of Alaska Fairbanks (UAF) Department of Alaska Native Studies and Rural Development (DANSRD) hosted a series of panel discussions and presentations collectively titled “The Impact of the Alaska Native Claims Settlement Act (ANCSA) on Alaska 1971-2011.” The event was held in the Wood Center Ballroom on the UAF campus on October 5 and 6, 2011, in observation of the 40th anniversary of the passage of the act, and resulted in nine DVD recordings. Part seven (AAF-18182) includes introductions by Master of Ceremonies Sharon McConnell followed by continued discussion on the social change, governance and land ownership in Alaska as a result of ANCSA, with panelists Dr. Gordon L. Pullar, Andy Teuber and Valerie Davidson. Following the discussion are images showing photos and biographies of the panelists.
[McMillin Pribilof films AAF-14560--14562]
[McMillin Pribilof films AAF-14560--14562]
Films were shot by L.C. McMillin on the Pribilof Islands of Alaska during the late 1930s and early 1940s prior to World War II. At the time, McMillin was employed as an agent by the United States government to manage the islands and its peoples, and to oversee fur seal harvests. McMillin’s first and middle names were Lee Carroll or possibly Lee Clarence. AAF-14560 is labeled, "4th Julys, games, wedding, birds," and contains scenes of men with an octopus, a procession of people coming out of a church and going back into church, row boat arriving at a dock, waves crashing against the shore, ship, whale spout, construction of a large dam at unknown location, football game at unknown location, man with film camera, sled with barrels, people carrying an umiak or boat and lifting it onto a truck, and a road made of planks on the tundra. AAF-14561 is labeled, "Surf," and contains images of a shore and waves, rowboats coming ashore, a ship in the bay (possibly a military ship), supplies being offloaded onto the shore, a boat named "Veca," rowboats along the shore, man climbing a mast, and flowers. AAF-14562 is labeled, "Good scenes," and contains scenes in the Pribilofs and outside Alaska including men and a green truck, seals, men with crates, birds, flowers, travel outside Alaska, car on a snowy road, snowy mountains, people sledding, woman and flowering shrub, garden and flowers, train, large dam, train, United States flag, and a priest leading a procession., Titles and title screens included here are part of the original film, and may include words, phrases, and attitudes that would now be deemed insensitive, inappropriate or factually inaccurate.
[McMillin Pribilof films AAF-14558--14559]
[McMillin Pribilof films AAF-14558--14559]
Films were shot by L.C. McMillin on the Pribilof Islands of Alaska during the late 1930s and early 1940s prior to World War II. At the time, McMillin was employed as an agent by the United States government to manage the islands and its peoples, and to oversee fur seal harvests. McMillin’s first and middle names were Lee Carroll or possibly Lee Clarence. AAF-14558 is labeled, "Natives 1," and "St. George, Road Building, P. Manderville[?]," and contains images of men carrying wooden planks, men on shore and near a house, man killing fox [approximately 55 seconds of this material removed from online display due to culturally sensitive content], a small boat arriving and men pulling the boat ashore, crates on a truck, a boat leaving and arriving, men with a wooden beam, old church being disassembled, bulldozer, men moving rocks, and man climbing cliff. AAF-14559 is labeled, "Natives 2," and contains images of men with ropes climbing over a cliff to retrieve eggs, men hauling water, a white building and woman holding pitcher, men with a boat or umiak, people harvesting blocks of ice, wedding scenes, men in small boats, a religious procession, truck pulling boat, men portaging boat, boat rowing toward another boat, man high up on pole, man snipping fur from fox tail [approximately 41 seconds of this material removed from online display due to culturally sensitive content], child, and men with wheelbarrows near shore., Titles and title screens included here are part of the original film, and may include words, phrases, and attitudes that would now be deemed insensitive, inappropriate or factually inaccurate. Some scenes have been removed from online display due to culturally sensitive content. Where removed, the omission is noted by a title screen. Contact film archivist for more information.
[McMillin Pribilof films AAF-14553--14554]
[McMillin Pribilof films AAF-14553--14554]
Films were shot by L.C. McMillin on the Pribilof Islands of Alaska during the late 1930s and early 1940s prior to World War II. At the time, McMillin was employed as an agent by the United States government to manage the islands and its peoples, and to oversee fur seal harvests. McMillin’s first and middle names were Lee Carroll or possibly Lee Clarence. AAF-14553 is unlabeled, and contains images of ships on the water, a community along the shoreline (possibly Ketchikan), totem pole, sunsets, views from boat on water, people disembarking ship and crawling into rowboats that are towed to shore at one of the Pribilof Islands, storm waves as seen from shore, people at dock, people in row boats waving, stormy waves crashing beach, woman walking near home and posing on steps, woman walking along boardwalk, buildings in community, boys swimming [portions intentionally blurred for online display], children participating in foot races, gunny sack races, racing with a pole etc., boys bobbing for apples, girls eating donuts off of string, pie-eating contest, baseball game with teams wearing uniforms, men herding seals and tossing seal hides into truck [approximately five minutes of this material removed from online display due to culturally sensitive content], men offloading supplies from ship, men gathering chunks of ice, power shovel filling dump truck with soil, men excavating hillside, men with shovels working in stream, people herding reindeer, men rowing boat to dock, and cliffs and surf. AAF-14554 is labeled, "Funter bay," and contains scenes of foxes on a rocky beach, numerous foxes in winter, and seals on beach., Titles and title screens included here are part of the original film, and may include words, phrases, and attitudes that would now be deemed insensitive, inappropriate or factually inaccurate. Some scenes have been removed from online display due to culturally sensitive content. Where removed, the omission is noted by a title screen. Contact film archivist for more information.
[McMillin Pribilof films AAF-14555--14557]
[McMillin Pribilof films AAF-14555--14557]
Films were shot by L.C. McMillin on the Pribilof Islands of Alaska during the late 1930s and early 1940s prior to World War II. At the time, McMillin was employed as an agent by the United States government to manage the islands and its peoples, and to oversee fur seal harvests. McMillin’s first and middle names were Lee Carroll or possibly Lee Clarence. AAF-14555 is labeled, "Seattle Trip etc.," and contains images of clouds, many people in a small boat, a shoreline with small white buildings, a sailboat, rigging on a boat, ice coating the boat rigging, sunsets, flag blowing in breeze, Juneau shoreline, Ketchikan Cold Storage building, a drawbridge at an unknown location, many people in small boats, man raising a U.S. flag, birds, cattle, and a woman picking flowers. AAF-14556 is labeled, "St. Paul," that contains scenes of ships (possibly military ships), a procession led by men carrying a United States flag and religious banners, many people in small boats and standing on shore, small children standing and waving, girl's and women's foot races, men participating in a pie-eating contest and tug-of-war match, baseball game, ship at sea, men unloading barrels on shore, a cliff and birds, and a landscape. AAF-14557 is labeled, "St. George misc.," that contains scenes of a man smoking, boys participating in a gunny sack race and pie-eating contest, people coming out of a church (possibly a wedding party), a procession led by men carrying a United States flag and religious banners, seals, a landscape and hills, reindeer, and birds on a rock., Titles and title screens included here are part of the original film, and may include words, phrases, and attitudes that would now be deemed insensitive, inappropriate or factually inaccurate.
[McMillin Pribilof films AAF-14548--14552]
[McMillin Pribilof films AAF-14548--14552]
Films were shot by L.C. McMillin on the Pribilof Islands of Alaska during the late 1930s and early 1940s prior to World War II. At the time, McMillin was employed as an agent by the United States government to manage the islands and its peoples, and to oversee fur seal harvests. McMillin’s first and middle names were Lee Carroll or possibly Lee Clarence. AAF-14548 is unlabeled, and contains images of seals entering the water as waves crash along a rocky coastline. AAF-14549 is labeled, "White People, etc." and contains scenes of a man and woman picking flowers, a truck driving along a wooden track or road, people posing at a house and boarding a ship, a woman and man exploring a grassy island, men with fur seals, men digging, men possibly gathering eggs from a cliff, men with cameras standing near a windy beach, people posing for camera, man walking near boats, people in a horse costume, men with cameras filming fur fox, man and women walking along a rocky beach, and a group of people with flowers. AAF-14550 is labeled, "Seals," and contains images of large groups of fur seals on rocks and beaches in the Pribilof Islands. AAF-14551 is unlabeled, and contains scenes of rocky shorelines, birds including murres and puffins nesting on rocky cliffs, eggs in a basket, men in small boat, seals, auklets and other birds, small bird and chick, cormorants, and a fox. AAF-14552 is labeled, "Our Friends," and contains scenes of Pribilof fur seals with the following title screens:"Sleek fat bulls arrive first," "Selecting the Harem Sites," "After the Harems are formed," "A single family," "Boy! Do I itch," "A fight over the Ladies," "Seals resting after a hard season," "Pups playing in the surf," "Final Fall coat for the pup," and "Taking to the water through the surf. Following the title screen "Pribilof Bird Life" are scenes of puffins and auklets, men holding birds and eggs, people gathering eggs from rocky beach, and boat full of eggs. Following the title screen "Blue Foxes," are scenes of fur foxes in summer and winter. Following the title screen "Stellar Sea Lions," are scenes of seals on a rocky beach, reindeer, people herding reindeer, reindeer in winter, and reindeer in corral. Following the title screen "Working Cargo During June," are scenes of men working to row a boat away from a rocky shoreline and toward a larger vessel further away, and rowboat returning to shore. Following the title screen "Winter - Snow and ice scenes in March," are images of a snowy landscape, icy waters lapping against the shoreline, men digging away drifted snow, men dragging large rowboat to water, and men rowing to and from steamboat. Following the title screen, "Pribilof snow plows," are images of a line of men digging large drifts of snow while another man watches. Following the title screen, "Native Church service," are scenes of a procession of people led by men carrying an American flag and banners and a priest, and an unidentified church building. Following the title screen, "Flower scenes on the Pribilofs" are images of wildflowers, and women on beach picking flowers. Following the title screen "St. Paul Island sunset on Big Lake," are scenic views of the water and sky. Film ends with the title screen "A Bering Sea sunset.", Titles and title screens included here are part of the original film, and may include words, phrases, and attitudes that would now be deemed insensitive, inappropriate or factually inaccurate.
[1974 Festival of Native Arts, Tanacross and Northway dancers, storyteller Poldine Carlo]
[1974 Festival of Native Arts, Tanacross and Northway dancers, storyteller Poldine Carlo]
A group of dancers from Northway and Tanacross demonstrates various Alaska Native dances onstage at the Festival of Native Arts. A man introduces two dancers, Bessie Barnabas and Eva Moffitt of the Salcha people, who are also dancing with the group. The other dancers are introduced (names are difficult to hear), and dancing continues. A man from Nenana introduces Poldine Carlo, who welcomes everyone to Fairbanks and then tells an Athabascan story once told to her by Jennie Huntington of Koyukuk. A woman is interviewed about her techniques for making birch bark baskets. A man is interviewed about his relief wood carvings. Jim Johnson of Tanana is interviewed about a miniature fishwheel and about his hand-built snowshoes and sleds. A man invites the audience to join dancers onstage, and many people dance. The audio on the original videotape cuts out briefly in a couple sections at the end.
Inupiat Dance Songs
Inupiat Dance Songs
Members of the Frankson family of Point Hope perform a variety of Inupiat dance songs, including Paddling Sayuun, My Song, Little Diomede Sayuun, Ukamaqsiaq Sayuun, Atuutipiaq, Cape Prince of Wales Sayuun, the Happy Sayuun, the Love Song, Taliun, King Island Taliun, When I Want to Sing Sayuun, Miligruaq's Sayuun, Cape Prince of Wales Sayuun, Samaruna's Sayuun, Cape Prince of Wales Sayuun - How Shall We Proceed?, the Drinking Sayuun, When I Went to the Dancing Place Sayuun, the Children's Song, Let Me Scratch Them Sayuun, Taliun, and Nalukataq Song. The program was videotaped by the University of Alaska Fairbanks Media Services and assembled by the National Bilingual Materials Development Center. Members of the Frankson family appearing in the video recording are: David Frankson, Dinah Frankson, Ernest Frankson and Hilda Lizzie Frankson. The dances demonstrated correspond to a 1979 book titled "Inupiat Dance Songs" by Tupou L. Pulu.
[Alaska On Line: Red Boucher interviews Augie Hiebert]
[Alaska On Line: Red Boucher interviews Augie Hiebert]
In this episode of Alaska On Line, Red Boucher interviews Augie Hiebert, former CEO of Northern TV, about the history of radio and TV in Alaska. The program was recorded on March 15, 1997.
[Senator Gruening presents a Carl Hayden tribute]
[Senator Gruening presents a Carl Hayden tribute]
U.S. Senator Ernest Gruening introduces a program about Senator Carl Hayden's role in helping pass the Nineteenth Amendment to the United States Constitution and a special award presented to him by the League of Women Voters.