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Alaska Film Archives

About the Collection

Over the past half century, the University of Alaska Fairbanks has built the largest collection of archival films in and about Alaska. The collection combines hundreds of donations of film and videos to UAF by individuals, organizations and institutions. Materials range from professional productions to amateur home-movies, made in and about Alaska from the earliest days of filmmaking through today. Since 1993 these materials have been held by the Alaska Film Archives, a unit of Alaska and Polar Regions Collections & Archives in the Elmer E. Rasmuson Library. Films and videos selected for this portal project are a sampling of the thousands available for checkout on DVD through the Rasmuson Library. Unless otherwise noted, items are presented here in their entirety, unedited and uncut. Short, popular clips from the collection can be viewed on our YouTube channel. Read more about the Alaska Film Archives.

1 to 3 of 3 Objects
[Chalkyitsik films - part 2 of 2]
[Chalkyitsik films - part 2 of 2]
These notes are from Jennifer Jolis of Fairbanks and UAF Prof. Stanley Edwin of Fort Yukon, who viewed this film in the Alaska Film Archives offices at the Rasmuson Library, UAF, on November 21, 2017. Jolis was a VISTA volunteer and Edwin was a 6-year-old growing up in Chalkyitsik, Alaska, during 1966-1967, when Jolis and others shot these films. AAF-13934 contains scenes of Eagle-the-dog; slough where fall fishing and ice fishing happened; Bobby Moses as a boy; Alice and Carl Moses cutting moose; Marianne Nicholson; Patty Salmon in canvas-covered canoe; summer of 1966 scenes; cabins with poles sticking up for radio reception; cabins; greenhouse and the old school, which was replaced in 1967 because of flooding; Bob Mott’s barge; Fort Yukon boat; Bill Fredson changing stovepipe; children playing on oil barrels include Stanley Edwin, Darryl Salmon, Robert Moses, Paul Edwin, and Agnes Herbert (wearing a scarf); unknown boy on swing; girl on swing is Isabelle Salmon wearing red; Bill Fredson with hand over face; scenes from flying over Chalkyitsik – possibly in Wien airplane – when Jolis was first arriving in 1966; fall time of year; Red Bluff, so called because of the reddish color of the soil; Johnny Edwin and possibly Woody Salmon in plaid shirt (maybe Paul Herbert shot this portion of the film); and Bill Fredson at lake.
[Church collection glacier and yacht]
[Church collection glacier and yacht]
Film contains views of a glacier in south or southeastern Alaska, the yacht "Westward," and barges.
[Dredge, Nome]
[Dredge, Nome]
The filmmaker's original labeling scheme has film AAF-20,084 numbered as Bacon 19-2, and it's titled, "Dredge: 600 feet." Reed Bovee interviewed filmmaker Bill Bacon in 2010, and the following information about these films is based on Bovee's notes from that interview: "Box 19 - 2 Medium Reels - To do with the mining in Nome 1988." [Note that description information for AAF-20,008 was likely intended for AAF-20,083 -- AAF-20,084 as follows: "BIMA is a floating dredge. Huge dredge was digging up gold bearing sand off Nome. Also other shots of Nome on same reel, ivory carver Pat, close up of head shots of dogs, dog team packed with dogs, tourists panning for gold and riding dog sleds, breakwater, tug and barge coming into channel, Front Street of Nome, ivory shop cut in to ivory carver, downtown Nome, the Nugget Inn on Front Street of Nome, Dredge 5 working."]